New York: Knopf, 1971. First edition. Hardcover. 9 1/2 x 12 1/2, 335 pgs, b&w and color photos and reproductions. A beautiful coffee table style book of the best and most representative paintings, drawings, watercolors, sculptures and lithographs from the Gilcrease Institute of American History and Art in Tulsa, Oklahoma.
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Taos, NM: Taos Heritage Publishing Company, 1985. First edition. Hardcover. 12 x 9, 140 pgs, color art reproductions throughout. Includes a catalogue of the known paintings, plus a chronology and bibliography. Foreword by James D. Burke. Signed by the author.
Austin, TX: University of Texas Press, 1988. First edition. Hardcover. 10 x 12, 212 pgs, color art reproductions.
Albuquerque, NM: University of New Mexico Press, 1992. Paperback. 8 1/2 x 11, 30 pgs. This is only certain pages xeroxed from this book: pages 81-103, 125, 199-203 and 269. Sections focusing on Hohokam Rock Art of Southern Arizona and The Jornada Style.
Albuquerque, NM: University of New Mexico Press, 1994. First edition. Hardcover. 8 1/2 x 11, 352 pgs, color art reproductions. Phillips settled in Taos in 1898, where he founded the Taos Art Colony. The first full-length discussion of Phillips art and life.
Austin, TX: University of Texas Press, 1960. Hardcover. 11 1/2 x 8 1/2, 134 pgs, b&w and color drawings. Survey of the scenic & architectural beauty of the state of Texas by a Texas artist. Cross section of the artist's work.
Kansas City: Lowell Press, 1990. First edition. Hardcover. 12 x 9, 293 pgs, color photos throughout. The Scriver Collection of Blackfeet Indian Artifacts and Related Objects, 1894-1990.
New York: Ronald Press, 1962. Hardcover. 6 x 9, 246 pgs, index, b&w photos. A classic in the genre.
Flagstaff, AZ: Northland Publishing, 1994. Third edition. Hardcover. 9 x 12, 148 pgs, index, beautiful color and b&w photos. The story and photos of the work of Maria Martinez of San Ildefonso Pueblo - wonderful Pueblo pottery.
New York: Scribners, 1853. Hardcover. 6 1/2 x 10, 400 pgs, mapped endsheets, index, large section of b&w photos, copious notes and sources. A fascinating survey of the original art of that period - sketches, watercolors, engravings, lithographs and oil paintings which have historical significance.
Tucson, AZ: University of Arizona Press, 1973. Second edition. Hardcover. 9 x 12, 477 pgs, index, bibliography, b&w and color photos throughout. A comprehensive look at Southwest Indian painting and how it has changed through the years.
Conneaut, OH: Printcraft, Inc., 1966``. Paperback. 5 1/2 x 8 1/2, 46 pgs, b&w historical photos. A memoir of the land and people who found Nebraska, a great prairie waiting for a new era where cowboys replaced Indians and buffalo gave way to horses, cattle and oxen. The author is...
San Antonio, TX: Naylor, 1957. First edition. Hardcover. 8 1/2 x 11, 95 pgs, b&w photos and illustrations, decorated endsheets. Covers five fundamental divisions of source material from Indian patterns: dots and straight lines, straight-edged figures, curled lines, curved-edge figures, and figures derived from nature. Ex-library.
Flagstaff, AZ: Northland Publishing, 1981. Revised. Hardcover. 9 x 12, 144 pgs, b&w and color art reproductions, foreword by Forrest Fenn. Biography of the Russian-born, widely travelled member of the Taos, New Mexico art colony. Includes chapters on Gaspard's art study in Paris and his travels in Mongolia, the Himalayas...
New York: Golden Press, 1973. Hardcover. 4 x 6, 160 pgs, color illustrations throughout. A fascinating introduction to the arts and crafts reflected in the material culture of North American Indians. Ex-library with the usual markings.
New York: Scribners, 1952. Hardcover. 10 1/2 x 7, 128 pgs, b&w cartoons by the author. James Robert Williams was a cartoonist who signed his work J. R. Williams, and was best known for cartoons that show an uncanny understanding of human nature.
Orogrande, NM: Published/Printed by the author, 1975. Hardcover. 8 1/2 x 11, 149 pgs, sepia drawings throughout. Stories and drawings by this cowboy artist.